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“Eat to see. See to live.”

*The following excerpt is from my forthcoming novel, FUTURE SKINNY.

There he is.

The hotel room is dim, but Casey isn’t hard to find.

His body is a beacon of desperate protest underneath a forgiving silk tee. Bone thin. Skin bagging from every corner of his six-foot frame. A good guess would be one-hundred and twenty pounds. He has more hair, just not on his head. Fuzzy wisps of keratin on his arms and thick on the nape of his neck. Inky around the eyes, a dire pigmentation that frames the focus he is straining to hold on the stranger at the other end of the makeshift dining table.

Casey is binge-reading still, and by the look of him, he has been binge-reading far too often. 

The spread between the two men is huge, was huge, most of the food has already been eaten.

The client’s eyes are wide but unmoved by the brittle hands Casey is using in lieu of utensils. The fingers clutching each next bite are topped with nail beds of blue. The knuckles on his index and middle are callused to the point of deformity. This client’s indifference is nothing new. Like all customers, he is there to hear his future. It has never mattered how the pig is slaughtered so long as the bacon tastes good.

Lylian is there too. She hasn’t left Casey yet, though their age difference looks as if it’s somehow doubled. Longer hair now, green eyes still bright, the only authentic shines in the room. Her arms are firmly folded atop a roadblock stance halfway between the client and the front door. At her size, her posture is hardly intimidating, but for someone so small, she can explode big.

The air stinks. It isn’t just the food. Beyond cooling grease and the chemically crafted scents of take-out littered about the table, the odors turn human quick. Inhale like you mean it and you can smell the sin. A half-century’s worth of intimacy baking in the manufactured heat of the room’s lone window unit. 

The repugnant bouquet is married to the chomp, smack, and slurp of Casey’s consumption. He is eating hard. He is swallowing fast. Wet. In fact, everything feels wet. Rooms like this one have a squish to them that is everlasting. Stray spit won’t make much difference. 

The bathroom door behind Casey is open. For now, the smell of upchuck is faint, maybe imagined. There is a beige sink, a matching toilet, and a poky little tub with a basin too small for anyone un-elfin. Any of the three are good for vomit. If Casey were to make sick prematurely, the carpet underfoot would hide it well: it’s a synthetic jumble of colors expertly designed to disappear manmade soils. Casey has a twenty-three-gallon Rubbermaid imitation at his side, just in case. Its corner-store price tag hasn’t been removed. Accidents happen. The only thing closer to Casey than this emergency bin are his and Lylian’s bug-out bags.

The client begins to fidget, he can’t keep his focus on the spectacle in front of him. He looks to the television, then to the table lamp, then back to the black screen of the TV. He actively works at fixating on anything that isn’t the redundancy of Casey eating and eating. There isn’t much to distract a person in this by-the-hour room. Perhaps inadvertently, he lands his gaze on the open black duffle at the end of the bed. The stacks of money define the bag’s canvas. The stranger’s attention sits on the opportunity, hanging there just long enough to visibly concern Lylian.

It starts with a twitch. Her arms uncross and she takes one step forward. Her eyes reach for Casey, but he is lost in his gorge, oblivious to Lylian’s subtle just-in-case preparations.

This client could be one of David’s thugs. Then again, any human being could: all ethnicities, a child, a senior citizen, religious or agnostic. David is an equal opportunity criminal, a true champion of diversity in the workplace. 

Lylian puts a hand on the table lamp, wraps her fingers around its base. If this stranger decides to go rogue, she has all she needs to bash the back of his skull. 

There is a mumble. It’s enough to break the client’s fixation on the bag of cash. He looks back to Casey, but Lylian remains committed.

“Did you say something’?” the client asks, the words passing through what is left of his jagged, flaxen teeth.

Casey struggles to form a comprehensible answer. His response works its way around the saliva-soaked mass he hasn’t stopped chewing. “How will the world know you?” he repeats.

“Are you askin’ me? You should be telling me.”

The loss of confidence in the client’s voice doesn’t go unnoticed by Lylian. Her grip tightens on the lamp’s base.

With his eyes shut tight, Casey goes adrift on his own question. He silently mouths it a few more times. Then, through quivering lips, he repeats it aloud, changing just the last word.

“How will the world know me?”

Copyright © 2022 by Peter Rosch // All rights reserved. No part of this excerpt may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review.

The Best Lie You Ever Told

I heard a while back that the average person tells three lies every ten minutes. When my friend told me the statistic, I was astonished. In fact, I wondered if she was lying just to help us boost stats for our project. We were relating it to strangers meeting strangers when dating or trying to land a date, and so it seemed more believable as a number in the setting of men and women trying to impress/attract/bed other men and women. It’s possible even the stat itself, which litters the internet, was fabricated just to get more clicks.

Nonetheless, for some time, it really had me thinking hard as I spoke, concerned about the validity of every word I put forward during a day. It took me out of the interactions I’d had with others, as I listened carefully to their words, trying to discern what might possibly be lies, mistruths, and minor-bendings-of-reality—some made in the service of advancing agendas, others made in the name of protecting the innocent, and the daily embellishments used to bolster a good tale or fill in the gaps when we can’t quite remember the whole story of a story we are inclined to modern-day campfire with our friends.

Like so many recent subjects bouncing around my head, I got to thinking about lying again as I speculated, hypothesized, “roll-played” in my head how I might address dishonesty with my future boy. As a child, I was notorious for my ridiculous fabrications. As a young adult I think I told my fair share, though I’d imagine it pales in comparison to the total told by much larger fish in this global pond. The phrase “Honesty is always the best policy” has stuck with me since the day some poster in some elementary school classroom introduced the notion. And, of course, now I agree. But I got to thinking in a horrible Carrie Bradshaw kind of way, “Is lying sometimes the best policy?”

Entertaining the thought of writing a book on lying. Non-fiction. More of a collection of stories from people, rather than a bunch of musings from my own head. I wonder how open people would be to discussing their lies. I think we’ve all told at least one or two. Big ones, little ones. Even if it was just to spare feelings or keep a child as a child for a while longer. If you have absolutely, never, ever, not in your whole life, told a lie—well, I’d certainly be interested in your story too. But what I’d really like to know, in a somehow anonymous way, is what lie a person told that had the biggest benefit to either them, a family member, a friend, or even the world I suppose. In other words, perhaps you told the single lie that saved the world from destruction many moons ago? Would you even know? Perhaps some minor fib you told had a butterfly effect, and without it, we’d have already gone into a The Road-like type of existence. (Never miss an opportunity to plug my fear of mass cannibalism).

Conversely, what if you only think the lie you once told has served you or whomever else well? By which I mean, you look at the reality you know that exists around that lie, it seems awesome because it is, but perhaps without the lie, the reality that would have spun forward without your fib might have been even more amazing. Or, what it someone else’s reality is a living hell all because of that lie you told?

I’ll give you an example: You told a lie in college to keep up with the path you were expected to take. The lie worked, you moved forward as had always been the plan. You graduated in a timely fashion and went on to get a job, and other jobs, climbed ladders and so forth. You can look at your life now, it’s pretty fucking perfect, you’ve no issues with it whatsoever, but… what if that tiny fib you told to stay on track cost you your chance at some other even more meaningful existence? Or, perhaps you were never meant to be in the spot you are now, your lie somehow pushed you into the fated spot of another, leaving them out in the figurative cold.

Maybe I’ll need to create a system of measurement in order to keep everyone’s judging on par with the rest, if anyone decided to participate at all. How many of us are ready to cop to the best lie we ever told?

Let The Vitriol Begin (Again)

But I Love YouThis week I’ll be pushing my sophomore literary effort, But I Love You, into the world with a plug-it-until-it-makes-people-puke enthusiasm. Then, when the dust settles, the pride built over a two-year crafting of words into story will do its best to withstand the free-flying stink of negativity that might eventually accompany it on its humble sale pages scattered across the internet. They’ll be good reviews (written by moms, friends, and even strangers), and they’ll be stuff that makes me question wether writing is my thing. That’s just part of the game. And like the first time, I’ll abstain from writing any particular individual to tell them just how wrong they are about it. I’ll remain chipper in the face of phrases like, “Do yourself a favor and skip this one. You’ll be glad you did,” and “Such promise to fall so flat.” There’s a bevy of other choice barbs and stinging insults, some written by folks who were kind enough to only read the first chapter before “awarding” My Dead Friend Sarah one or two stars. You take the punches and move on. Hell, if you are me, you secretly hope that your book turns the insides of someone so intensely that they decide to come after you. You wonder how hard it is to get a restraining order. You fantasize about a blurb on some celebrity dot-com rag that mentions how you went to court to testify against the stalker. You aim for the kind of crazy that drove you to write the book in the first place. I didn’t set out to create a polarizing tale the first time. And though I’d toyed with the idea of doing so for the second story, the notion lost steam as I realized that action in and of itself would betray me. In the end, like the first time, I’d like to think that I’ve managed to merge some very real-world observations on the way we live with a story that moves quickly and keeps people entertained and wanting more. There’s more to the story, but I’ll need that material to bug you later in the week as I try and coax you our of a few bucks and some of your time.