Ga-Ga-Voo-Doo

It's Alive (B&W)

Will our baby be smart? Will our baby be handsome? Will he be healthy? Will he try to kill me?

Yes, I’ve done thunk it. The baby inside my wife’s belly could kill me. Could kill you. Could try to kill us all. 

If you are my age, give or take a year or two, there’s a good chance that you too spent some parts of your summers between the grades of elementary school and junior high watching a few things that maybe your prepubescent brain wasn’t quite ready to reasonably consume on what used to pass for HBO, Showtime, and The Movie Channel. I’m not talking about the soft-core porn, aka what I used to refer to as “The Happy Music Movies,” though I’m sure plenty of us only accidentally managed to view some of that as well. I’ve referenced some of the films from those salad days of my youth in previous posts. Clockwork Orange, Motel Hell, The Tin Drum, just to name a few. Many of my most disturbing daydreams are certainly the direct result of those three specifically. I’m fascinated by the idea that a handful of prophetic, polarizing, and/or horror films seen at a too-soon-age might have formed long lasting sinister effects on my gray matter.

It’s Alive was released in 1974, but must have been in heavy rotation a decade or so later for me to have seen it. If you were to study up on the film, you might decide that there is some credible subtext to this B horror film regarding the rights of the unborn, some segment of society’s ethical implications revolving around the use of fertility drugs, and possibly even abortion itself. All of that might be a stretch, but I’ve seen a few things suggesting as much on the internet. For me though, it was a simple story about a horrible demon baby that was just cute enough for you to not root against completely as it tore through the city on an unintentionally murderous rampage. “The child is just frightened,” Lenore Davis (the mother) was fond of saying throughout the film—the baby monster would coo just enough in between its blood curdling screams to keep you from rooting for it to be captured and killed. At least I remember wanting it to live despite all of the horrible atrocities it had committed.

I imagine far more people have seen Alien than It’s Alive, and so I’m guessing a far more common and utterly disturbing vision had when observing your baby momma’s belly is the infamous emergence of the true star of that futuristic film. I ping-pong between the two narratives, though thankfully not on a daily basis.

Spoiler Alert: The fanged little nipper from It’s Alive didn’t kill its Pops. In fact, by the end, and despite Frank’s (the father) original intention of killing it, their bond was pretty strong. The majority of this post has been a soft-set-up for the real question that’s been on my mind. Maybe it’s too dark a suggestion to make on a blog that was original born to playfully mock my madness and whet the appetites of what I’d hoped would be a growing readership patiently waiting for new musings in the form of novels—but has it ever occurred to you that once you commit to brining a new life into the world, that it’s possible—I’m not saying probable—but possible that the added being may very well be the one that takes you out of this physical realm? I’ve not bothered to look up the odds, though foggy memories of statistical analysis done against murder does seem to conjure up some claim that a good many of them are perpetrated against the victim by some one they knew.

As macabre as it may be, it seems to this odd duck that along with what I’m guessing are the fairly typical concerns of a would-be parent, that a sort of peaceful acceptance of the possibility of your own demise by its hands is about the only sane way to move forward.

 

 

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