“Eat to see. See to live.”

*The following excerpt is from my forthcoming novel, FUTURE SKINNY.

There he is.

The hotel room is dim, but Casey isn’t hard to find.

His body is a beacon of desperate protest underneath a forgiving silk tee. Bone thin. Skin bagging from every corner of his six-foot frame. A good guess would be one-hundred and twenty pounds. He has more hair, just not on his head. Fuzzy wisps of keratin on his arms and thick on the nape of his neck. Inky around the eyes, a dire pigmentation that frames the focus he is straining to hold on the stranger at the other end of the makeshift dining table.

Casey is binge-reading still, and by the look of him, he has been binge-reading far too often.

The spread between the two men is huge, was huge, most of the food has already been eaten.

The client’s eyes are wide but unmoved by the brittle hands Casey is using in lieu of utensils. The fingers clutching each next bite are topped with nail beds of blue. The knuckles on his index and middle are callused to the point of deformity. This client’s indifference is nothing new. Like all customers, he is there to hear his future. It has never mattered how the pig is slaughtered so long as the bacon tastes good.

Lylian is there too. She hasn’t left Casey yet, though their age difference looks as if it’s somehow doubled. Longer hair now, green eyes still bright, the only authentic shines in the room. Her arms are firmly folded atop a roadblock stance halfway between the client and the front door. At her size, her posture is hardly intimidating, but for someone so small, she can explode big.

The air stinks. It isn’t just the food. Beyond cooling grease and the chemically crafted scents of take-out littered about the table, the odors turn human quick. Inhale like you mean it and you can smell the sin. A half-century’s worth of intimacy baking in the manufactured heat of the room’s lone window unit.

The repugnant bouquet is married to the chomp, smack, and slurp of Casey’s consumption. He is eating hard. He is swallowing fast. Wet. In fact, everything feels wet. Rooms like this one have a squish to them that is everlasting. Stray spit won’t make much difference.

The bathroom door behind Casey is open. For now, the smell of upchuck is faint, maybe imagined. There is a beige sink, a matching toilet, and a poky little tub with a basin too small for anyone un-elfin. Any of the three are good for vomit. If Casey were to make sick prematurely, the carpet underfoot would hide it well: it’s a synthetic jumble of colors expertly designed to disappear manmade soils. Casey has a twenty-three-gallon Rubbermaid imitation at his side, just in case. Its corner-store price tag hasn’t been removed. Accidents happen. The only thing closer to Casey than this emergency bin are his and Lylian’s bug-out bags.

The client begins to fidget, he can’t keep his focus on the spectacle in front of him. He looks to the television, then to the table lamp, then back to the black screen of the TV. He actively works at fixating on anything that isn’t the redundancy of Casey eating and eating. There isn’t much to distract a person in this by-the-hour room. Perhaps inadvertently, he lands his gaze on the open black duffle at the end of the bed. The stacks of money define the bag’s canvas. The stranger’s attention sits on the opportunity, hanging there just long enough to visibly concern Lylian.

It starts with a twitch. Her arms uncross and she takes one step forward. Her eyes reach for Casey, but he is lost in his gorge, oblivious to Lylian’s subtle just-in-case preparations.

This client could be one of David’s thugs. Then again, any human being could: all ethnicities, a child, a senior citizen, religious or agnostic. David is an equal opportunity criminal, a true champion of diversity in the workplace.

Lylian puts a hand on the table lamp, wraps her fingers around its base. If this stranger decides to go rogue, she has all she needs to bash the back of his skull.

There is a mumble. It’s enough to break the client’s fixation on the bag of cash. He looks back to Casey, but Lylian remains committed.

“Did you say something’?” the client asks, the words passing through what is left of his jagged, flaxen teeth.

Casey struggles to form a comprehensible answer. His response works its way around the saliva-soaked mass he hasn’t stopped chewing. “How will the world know you?” he repeats.

“Are you askin’ me? You should be telling me.”

The loss of confidence in the client’s voice doesn’t go unnoticed by Lylian. Her grip tightens on the lamp’s base.

With his eyes shut tight, Casey goes adrift on his own question. He silently mouths it a few more times. Then, through quivering lips, he repeats it aloud, changing just the last word.

“How will the world know me?”

Copyright © 2022 by Peter Rosch // All rights reserved. No part of this excerpt may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review.

See You In The Funny Pages

“The image of a grown married man dressed in khaki shorts, a corporate logo polo, deck shoes with no socks, complete with braided belt turns my stomach. The image of that same gent leaning his body from a seated position as far over the nicked brass railing of a stripper’s stage, with his tongue protruding as far out of his mouth as possible, in—I don’t know—the hopes that the all-nude stripper in front of him will “accidentally” back her ass into it… well, is one I’d pay big money to eternal-sunshine-of-the-spotless-mind-style-remove.”

These are words from a back-burner book slowly being written as I pen others that details some of my adventures in the business of advertising. And maybe a warning of sorts.

The other day my wife was kind enough to regale me with a David Sedaris’ interview in which the author recalled some embarrassing experiences while living in Paris, France. The gist of it was this: when he is the victim of his own incompetency or the accidental fating of some awkward and absurd moment, the feeling sticks with him well after. He can’t help but think that those around him not only noticed, but took note, and are maybe carrying around his befuddlement as a story to tell. Not because he is famous, mind you. But because this is what he does; he observes people. All writers do.

I’m not here to lump myself in with Sedaris’. Honestly, I’m not even comfortable with referring to myself as a writer most days. I wonder if I ever will be. But, fair warning, I do observe. I do take it all in, and I use what I see when crafting characters, situations and the mayhem. Any fictitious character I create is likely some mighty amalgamation of personalities, quirks, sayings, that are thrust upon me, if not sought out, especially when I’m extra bored in a public setting.

Funny enough, as I’ve always done this, it’d never occurred to me that my own shortcomings, blow-ups, missteps, foot-in-mouth-events, short-fuse moments, and even the NSFW moments of my life might be working their way into some other author’s book or books. In a way, maybe books have long been making people famous without them even knowing it. At the very least, some part of that person. Some tiny little thing you often do, or some monumental mistake you once made, right now, could be making its way into another’s prose. And with the huge surge in self-publishing, I suspect it’s happening far more frequently than ever.

But worry not, nobody reads anymore. Right?

Let The Vitriol Begin (Again)

This week I’ll be pushing my sophomore literary effort, But I Love You, into the world with a plug-it-until-it-makes-people-puke enthusiasm. Then, when the dust settles, the pride built over a two-year crafting of words into story will do its best to withstand the free-flying stink of negativity that might eventually accompany it on its humble sale pages scattered across the internet. They’ll be good reviews (written by moms, friends, and even strangers), and they’ll be stuff that makes me question wether writing is my thing. That’s just part of the game. And like the first time, I’ll abstain from writing any particular individual to tell them just how wrong they are about it. I’ll remain chipper in the face of phrases like, “Do yourself a favor and skip this one. You’ll be glad you did,” and “Such promise to fall so flat.” There’s a bevy of other choice barbs and stinging insults, some written by folks who were kind enough to only read the first chapter before “awarding” My Dead Friend Sarah one or two stars. You take the punches and move on. Hell, if you are me, you secretly hope that your book turns the insides of someone so intensely that they decide to come after you. You wonder how hard it is to get a restraining order. You fantasize about a blurb on some celebrity dot-com rag that mentions how you went to court to testify against the stalker. You aim for the kind of crazy that drove you to write the book in the first place. I didn’t set out to create a polarizing tale the first time. And though I’d toyed with the idea of doing so for the second story, the notion lost steam as I realized that action in and of itself would betray me. In the end, like the first time, I’d like to think that I’ve managed to merge some very real-world observations on the way we live with a story that moves quickly and keeps people entertained and wanting more. There’s more to the story, but I’ll need that material to bug you later in the week as I try and coax you our of a few bucks and some of your time.

On a Highway to Hell

Twisting one’s way at a snail’s pace via a rented motor vehicle up or down the West Coast’s famed Route 1, oohing and ahhing at the almost unnaturally natural scenery that envelopes it from every direction, always seems like a good idea. Or at least in my case, has seemed like a great idea twice before. It is true, you’d be hard pressed to find a single other road in these United States that offers as many stunning views in such rapid succession. And the few small towns that exist between Ventura and Santa Cruz, tucked amongst the tall trees of Big Sur, offer a chance at an oft sought sort of peace away from our daily routines that so many of us seek.

Before I paint my brain’s ugly version of the experience, it would be fair to the road to let you know that our most recent jaunt upon it was in a Prius. A car that delighted me with its gas mileage, but left me uneasy each and every time I went to slow its front-loaded chassis as we sailed into declining turns atop sunlit cliffs, and kept me guessing right after those serpentine kinks with the sickly growl it created while struggling to accelerate back up the mountain while various Beamers, Audis, and the like taunted it from behind. Their drivers apparently with bees in their bonnets–desperate to arrive at some future destination as quickly as possible, and not at all making the same journey in order to observe the reams and reams of jagged rocks that lay to the west of what at times felt like eight, maybe nine, total feet of asphalt.

Still, ultimately, the Prius and my steadfast commitment to driving like an old codger protecting a family of seven got us from Point A to Point Portland. Had it rained much, I’m not sure I’d be able to say the same.

I love to drive long distances–few things relax me more, though in a rental I’m less inclined to light up a smoke while I cover those miles. And that section of Route 1, and some section further up in Northern California, on their worst days couldn’t even come close to ranking as precarious as some of the roads my wife and I have navigated in Costa Rica, where at times the only thing between you and certain death is one or two inches of dirt road to the right or left of the vehicle, that is defying all logic with its refusal to crumble into the ocean below it like the previous six or seven inches of road clearly had before. Those drives of 2011 were some of my favorites–a testament to how my brain writes a revisionist history for us both, as I’m simultaneously positive that I must have been silently cursing the beings who believed a road like that should exist in a place where it rains three to four straight months in the fall.

Similar to Costa Rica, there are scars all along Route 1–evidence of previous mudslides, mishaps, fires and huge chunks of landmass missing, the victims of former storms, and often at the most delicate intersections of manmade bridges and the mountain’s desire to shed some weight. Perhaps the reason for such prevalent speedy driving along that road is the theory that you can outrun the potential dangers. I know I gunned it once or twice, as much as you can gun a Prius, believing that the next slide area might be the last slide area we’d ever visit, and our only chance was to dash through it as quickly as possible.

The sounds of sirens, sadly not the kind that coax you into plowing your sea vessel head first into rocks, might have served as a warning of what lie ahead on ol’ Route 1–at least tipped off a more savvy couple of drifters–but not us, no sir. Even after watching all manner of emergency vehicle race North into the hills from the Elephant Seal Viewing parking lot, we hopped back in the Prius to move forward with our plan of maybe catching a quick hike before sunset somewhere around the cozy cabin that awaited us only sixty short miles that same direction.

Let me partake in scribing the utterly overused phrased, “it has been said that a picture is worth a thousand words.” Here’s three that capture the dilema our decision to press forward on that mighty two-lane highway thrust us upon. Photographic evidence of what for nearly an hour and a half felt like the first minutes into a new future that would at some point loosely resemble last night’s season three premiere of AMC’s The Walking Dead.

Never mind you what might have been the impetus to that complete standstill–though the rumors floated around by the more curious, and thusly the more annoying, of the stranded onlookers that joined us there atop that mountain indicated something along the lines of a drunk driver who crashed his or her SUV into the mountain side, setting it ablaze. Word on the street also indicated that the occupants of that vehicle had walked away from the wreckage unscathed. So see, your real concern should center somewhere around the safety of me and the Mrs.

“So you were inconvenienced, Rosch? Who gives a flying f-bomb?” You say?

Let me lay a few of my own thoughts from the incident before you for your consideration: Did the engineers of that particular stretch of road ever take into consideration the potential havoc the sheer weight of that many vehicles stuck on that cliff might result in after years of soaking in rains and baking in harsh summer suns? When was the last time a good rockslide had rolled through that passage, and what are the chances that a boulder or two might use the opportunity to make its plunge while there were sitting targets to strike? I know if I were a boulder on my way out, I’d like to take a few folks with me for good measure–go down as the most legendary of rocks to ever slide down the mountain, a sort of folk hero for all the remaining boulders to tell their pebbles about before bedtime. How long does it take for a group of impatient drivers–as evidenced by their desire to pass me at every opportunity–to begin some sort of revolt or riot? How many unwatched children will have to peer over the side of this road until one finally vanishes right before my eyes? Can I make it overnight on only the backwash of the Diet Coke sitting snugly beside me and the four cigarettes left in my pack? If there is a fire ahead, and it decides to make its way south down Route 1, can we outrun it? At what point will this Prius’ parking brake make a mockery of modern engineering by releasing the vehicle backwards and into the BMW behind me? Are there mountain lions perched just above us, feeling frisky and totally stoked to have a buffet of folks with almost no exit strategy before them? And if so, will the Prius’ windows hold up to their advances as well as the windows of the hatchback that protected that little blonde boy and his mother in the 80’s Stephen King flick, Cujo? Do we have any real visual guarantees that all of this has been caused by a car wreck at all? Isn’t it possible that this is just the beginning of some sort of infection, and up ahead the police have begun a useless quarantine roadblock of sorts, and simply hadn’t gotten around to letting all of us know our days were numbered? And finally, certainly not the last thought I had, but the final for the purposes of this post–would they hold our room at the cabin if we didn’t show on time, and if not, are we destined to check into something we hadn’t researched the likes of the Pinewood Motel from the movie Vacancy?

I gave long thought and pause to these and many more potential scenarios, and don’t mind telling you that my money was squarely on that last one. After all, what better ending to an intense story of survival amongst the elements than the surprise twist that finds our heros being butchered for snuff films? The answer, of course, is none.

Beantown Bridge

As you may or may not know, I’ve moved to Boston. If you were/are trying to hunt me down to exact some horrific revenge, and weren’t aware of that already, well, I don’t suspect it’s in my best interest to increase your hatred for me with my telling you that you kinda stink at stalking. Regardless, now you know about my new locale, and knowing is half the battle–even if your battle is the demons of your ineptitude as it pertains to finding me to extinguish from this plane.

Just over a week in, I can tell you that moving to Boston from NYC has been beyond really swell. If you’ve ever been in and around Boston, I imagine you are already privy to the majority of reasons one might find it a refreshing change of pace from the sparkly rat-trap a few hours southwest via I-95. It’d also be easy for one to surmise that said refreshing change of pace might soften the armor of a guy whose life is built around semi-irrational hallucinatory fears.

Ha. Have you been on the antiquated land connecting structure that is referred to around here as a bridge by the name of Tobin? Bridges–I hate ’em. Since I’m nearly 40 years old, and still alive, I guess I can’t say bridges hate me too. How deeply do I despise these elevated sheeple motor movers in the sky? Almost enough to plan most of my daily living around them.

“That bridge isn’t going anywhere, Rosch!” You say?

Who said anything about falling bridges? I’ve always been infinitely more concerned about taming the odd desire to swerve the car wickedly fast into the barrier to see if it’s possible to go over it. Am I alone on this similar to feeling-like-you-might-not-be-able-to-control-yourself-from-jumping-from-tall-buildings sensation? Perhaps. And yes, I’m aware that most bridges provide adequate barriers to prevent cars from just toppling over the sides. That said, I’ve seen a story or two about the odd car that made it over the side of a bridge unexpectedly. Oh, it happens–it happens–it just takes commitment to the cause. A commitment that, thankfully, I’ve not had the desire to keep.

*It’s worth noting that my fear of bridges might stem from–surprise, surprise-my mother, who always insisted we roll the windows down when we crossed one just in case we tumbled over. The thinking being, we’d stand a better chance of escaping the murky depths without having to navigate the pressure pushing against a sealed door. She’s a smart one that mother of mine–crazy as all get out–but one step ahead just the same.

Keeping the Demon Caged

Having a book out in the world has been a real treat–mostly. I don’t have actual numbers put together, but I think it’s safe to say that for every three people who have taken the time to read it, one point five have liked it. I never expected everyone to like it, even so, it can be difficult to absorb critical reviews of something so very personal to me. Taking in things like, “the best writing in this book was the word end,” is especially trying when the review has been written by a reader who either scored the book for free because of my own promotions or due to a review service traditional publishers use known as NetGalley that I ponied up some dough for in order to expose the book to a broader base of readers. I suppose that’s what I paid for, honest reviews from complete strangers.

I put a great deal of time into researching the pros and cons of that move, and there was one warning that in hindsight seems particularly spot-on, something along the lines of this: when you offer up your book for free, a lot of people who never would have wanted to read it in the first place, will buy it, without making sure that it is something up their proverbial alley, and as such, will proceed to pan it relentlessly even if they didn’t bother to make it past page six. That has happened a number of times, and to some extent, my title My Dead Friend Sarah has also put the content of the book into the wrong hands–people looking for paranormal YA fiction about ghosts and dead folk to be exact.

Such is the case with my most recent panning–the reviewer even begins her umpteen-hundred words long review by making the admission that she downloaded it for free because she thought, “it was going to be a ghost story or at least have some paranormal/scary elements to it.” She isn’t the first to decide to read it for that reason, and I suspect she won’t be the last. I’m not going to belabor all of the things she found wrong with the book after being “compelled to finish it despite its shortcomings.” She was nice enough to give it two stars instead of one, just because of that compulsion by the way. It was her right to review it–her right to express every little dissatisfaction with it and post her beliefs on multiple sights, doing her civic duty of making sure the rest of the actual paying public isn’t duped into reading my book that isn’t about ghosts, or according to her all-bold Amazon review headline, “…isn’t about a dead girl named Sarah.”

My shiny happy sober brain has me knowing that reviewing her blog, So-and-So’s Dark Fiction, here, and discussing its merits as determined by me, a highly decorated marketing/design/communications professional, would be a colossal defeat to higher-road types everywhere–and not becoming of an aspiring author either. But, The Demon, as I’ve come to calling that part of myself that still lurks within me even in sobriety, wants out of his cage. He has a wicked tongue, and he’d love nothing more than the opportunity to put into words a verbal assault to strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy the naive brother he shares a body with. (I guess he, The Demon, also likes butchering quotes from Pulp Fiction, thus really revealing his age to the kiddies out there).

Nope, gotta keep that slick son-of-a-bitch caged for at least another day. Thus, I’m off to try and run him into submission with a four of five miler–but only after his morning smoke. After all, her own demon is an unknown, and if I were to let mine pick a fight with hers publicly, there’s always the very real chance hers would come find me and snuff us both out. The Demon would love that.

My Little White Room

Every so often, I am treated to a lovely dream by my frenemy, my brain, in which I find myself awaking in a little white room upon a very sterile white twin bed, tucked under spotless white covers–tightly, and unable to move, even though there are no signs of restraints being used to prevent me from lifting myself from the bed to investigate past what my eyes can see: a small white table next to the bed, a glass with what appears to be water, and a window not much bigger than two foot by two foot on the wall to my left that might have the outside world on the other side, but the sun is so bright that everything is blown-out, and thus, not discernable.

Sometimes a human–possibly a doctor, researcher, agent, or any other manifestation of authority–enters the room to check on me. I try to speak, but I can’t. They do no speaking themselves, and reveal nothing as to the nature of my detainment. Usually this person hovers over me, staring at me, saying nothing and performing no examination or other molestation–just delivers a grin that rides the line between sympathetic and pleased. When he or she is gone, I’m left there to ponder what events might have taken place prior to my awakening, what are the circumstances surrounding my detainment. But there is never any true recollection–just speculation and the construction of numerous possibilites that might explain how I landed there. This is usually followed by a temporary bout of panic that either grows to the degree necessary to awaken me in the reality we call reality, or is just enough to seemingly reset the dream–and have me find myself in that same little white room again, for what feels like the very first time. And repeat.

Some might refer to this as a reoccurring dream, but it doesn’t happen with enough frequency for me to classify it as such–unlike say, the dream I often have where I know I’ve only a few days until a long prison term, and I spend much of it trying to figure out how to prevent a destiny I know I’ve already cemented for myself, despite not knowing what actions did the cementing.

I tend not to read too much into dreams–at least not my dreams–and these two narratives in particular are probably only a three on a ten scale that measures a dream’s disturbing-factor, ten being the most twisted ones that leave me not wanting to ever go back to sleep. But maybe, like so many things I think and imagine, that which is disturbing to you–a ten on your own scale–has become commonplace for me, my darker thinking routine enough to no longer see the spectacle of it all. Often the first thing that comes to my mind regarding the outcomes of a situation revolves around a twisted little nugget of a possibility that my friends and family might not have hypothesized if even given a day to dwell on potential scenarios.

Ugh. It almost sounds like I’m bragging, and maybe I am, but I certainly hope you won’t hold it against me–let it feed whatever insecurities you might have just enough to consider, and then put into action, a plan that finds you abducting me and reconstructing my Little-White-Room dream in order to get back at me. On the off chance that you do go forward with this very complicated form of retribution, please note: the bedside table is on the left of me, as is the viewless window, and the door to the room, which has no knob, should be placed to the right of my bed and in the farthest corner from me in what I can only guess is about a 12 x 12 foot room. Thanks!

Sunny Central Park Stroll With My Demon

As I’ve mentioned before, a good deal of my brain activity in any given day is put against speculation of what dark deeds other people around me are scheming or engaged in at that moment. Typically, I don’t have to work very hard to fabricate exactly how their actions are going to impact me, directly or indirectly. These individuals aren’t always out to get me specifically, on occasion I’m sure I am only fated to be the collateral damage of whatever plans they have for someone else that day. It isn’t always about me, but as of late, I find myself wondering more and more if maybe I shouldn’t turn additional attention towards myself. What things am I doing daily that serve to destroy me?

I’m a big believer in the Shadow Self. Carl Jung defined the Shadow Self as “that which we think we are not.” To shed a touch more light on the concept let me just plagiarize a bit with this little nugget from the interwebs: You may believe that you are not like your neighbor who does this or that bad thing, but if those negative qualities you judge, were not also a part of you, then they would not trigger your emotions. You might be nodding in agreement, you might also be nodding the other direction in disgust or boredom–wondering how come your gracious author isn’t just talking, per usual, about something like, how he thinks the recent uptick in the number of hangover cures, morning-after recovery kits and beverages, is actually all part of a big brother style black-ops operation to slowly rid the world the chronically underachieving. Perhaps I’ll post proper about that little gem over the coming weekend, and so if you aren’t into a more meta post right now, I encourage you to come back in a few days for something only seemingly more disturbing that what follows here.

Part of any proper recovering addict’s or alcoholic’s Shadow Self, would be the disease of addiction itself. AA oldtimers are big fans of the saying, “While I’m in a meeting, my disease is out in the parking lot doing push-ups.” My knee-jerk reaction to the utterance of that phrase is usually something along the lines of the silent version of this sound, “Pffffft.” Most likely because the disease itself wants me to believe I’ve been cured. One need not look any farther than Zelda Rubinstein’s declaration, “This house is clean” to understand that if you’ve had demons, those suckers aren’t really ever leaving for good. And if you don’t keep making smart decisions (for example, in the case of the family from Poltergeist, moving out of the house immediately after that supposed victory) the spiteful little bastards will speak to you from time to time, coaxing you back into the very hell you left, with promises of renewed, consequence-less good times. They, or in my case, the other me, is shrewd. And I’ll be damned, because yet again, those cutesy bull-shit-phrases that litter the walls of the rooms of recovery are wickedly on point.

My life is a sensational dream; I couldn’t ask for more than I have, and my gratitude for all of it is through the roof. And yet, as recently as yesterday, just mere moments after finding near peace with everything going on in and around me thanks to an hour on an Upper Eastside couch, the voice of my demon was as loud as it had ever been. Wondering–almost aloud–as we strolled through Central Park on such a lovely day, “What would it be like if we made an effort to throw it all away? Wouldn’t that be quite the experience? To go deeper down the rabbit hole of madness and filth than ever before, if only to see if we could resurrect ourselves yet again.” My Shadow Self knows the way to my heart; my disease knows I’m always up for a challenge, and as twisted as its coaxing might sound to the average Joe, I found myself drawn to the idea. To destroy everything I’ve worked so hard to create, just to rebuild it again–from scratch, heck, without even scratch to get started. That’d be something.

On the other side of Central Park, we could get started. We still knew a few bars there from our first six years in New York City. We’d be well on our way into this new journey before lunch, and any of the various paths it might lead us down would only serve to strengthen our own understanding of what is at first hedonistic and sinfully enjoyable, until it also further educates us on what it truly means to be without hope, scratching from dark corners, without so much as a dime and not a friend left. With rapt attention, I listend to my disease, the demon within, as he held me close, shielding me from the beauty of the park and twisting the reality of what I have, while feeding me truths about many of the world’s injustices, the worst in people, reading me the troubling and sensationalistic headlines from the discarded rags that pass as news that we occasionally found underfoot. He had my curiosity, he had my attention, he had everything but my smart phone–which buzzed in my palm, only to tell me that someone had hearted the picture of my cat that I had posted on Instagram earlier that morning.

The Demon, smart SOB that he is, didn’t curse me out, didn’t continue trying to talk me into something other than heading to the subway to make a beeline to work, and didn’t let out some twisted tortured yelp as though I’d vanquished him once and for all–nope, he simply wished me a good rest of the day, and right before he left said, as casually as my very best friend might, “I’ll see you around, Rosch.”

Hostel Dentistry

Blame Delta Airlines, that’s my motto. Sunday evening I took a red-eye to Prague, CZ. When I got on the plane, I had nothing wrong going on in my mouth other than the nearly lifeless tastebuds smoking gifts me that currently inhabit the surface of my tongue. But when I awoke, there were the beginning inklings of what I surmised might be a loose filling. How Delta Airlines is responsible for what by Wednesday had turned into a full-on tooth ache isn’t really important. It’s simply important to have someone to blame, and I have chosen them and not the tobacco companies, the M&Ms I crunched upon relentless pre-nap, nor am I willing to blame the age of that particular filling, which I think has been riding around in my head for over twenty years now. It’s a trooper that filling! A gutsy little metallic mofo that refuses to let go and die. How do I know that it is still clinging to what’s left of that tooth like a champ? Because I caved and had the production company book me a visit to a dentist here in Prague.

I was pretty proud of myself, “This is a real adult move,” I said to no one with near visible self-high-fives. “An adult doesn’t let everything he thinks of the Eastern European Block, that he has based almost solely on the flick Hostel, prevent him from seeking the pre-emptive treatment he deserves.” My rah-rah-Rosch moment was short lived, and slowly the very things that movie and its successors taught me about the inhabitants of this part of the world grew, until they were large enough to stomp any delight in my decision. That said, it was too late to turn back. This whiney baby had made quite the fuss about his tooth, and arrangements to see a specialist had been made on his behalf–to tell them I wasn’t going to go through with it might brand me a liar about toothaches, and that’s a particular type of liar I aspire not to be. Filthy buggers that lot.

So, I laid my head to my pillow, quite late I might add, and did the only sensible thing a man in my situation could do: I watched a slightly crappy, but full version, of The Descent on YouTube. My mind quickly relented and those slimy cave-suckers all but erased any thoughts I was entertaining about the possible outcomes of my visit to the dentist a short six hours from that moment.

This morning I was greeted by a lovely woman by the name of Veronika. She assured me she would sit with me to translate, and I found that reassuring, but I wasn’t entirely convinced that she wouldn’t be in on the sale of my body to others for the sport of torture. Perhaps she was too nice about it all, and as we took a cab, instead of a sanctioned production van, to a part of Prague covered in the most sure tell that indicates bad parts of town, graffiti–graffiti I couldn’t even understand at that–I began to more than suspect, and indeed decided to believe that she wasn’t above dropping off some ad schmuck from the states at a place of the illest repute imaginable (Cameron, I know illest isn’t a word, go with it).*

We went inside, the office itself smelled delightful. “Very nice,” I thought. And then began a brain loop of an old Wendy’s commercial where there is an Eastern European fashion show taking place–”Svim Vear, Very Nice. Svim Vear, Very Nice.” My escort introduced me to the dentist himself. That struck me as odd, and yet I proceeded into the next room. I lay down upon the chair, a horrendous looking beast of a contraption next to all manner of deadly instruments, nothing unusual about that. Veronika left the room. The moment of truth: This would be where I finally met my Level 9 Destiny, I would be dead soon, but victorious when my current partner was forced to utter at my funeral, “I guess he was right, that poor bastard was right.” We’ve made an arrangement to this, and I trust he’ll come through for me.

The dentist asked me to open my mouth in better English than the Starbucks baristas I hold so dear back in NYC. And so I did. He proceeded to slam a small hammer into the tooth in question, a gigantic pain coursed through my skull. “That’s the one!” I shouted. And he agreed then said, “Let’s have an X-ray, shall we?”

I got up and followed him to another room, farther removed from the front desk, and with my companion nowhere to be found. He opened a door. There was an X-ray machine there, and it looked legit, but I still couldn’t shake the absurd idea that maybe they’d tweaked it to render you unconscious upon firing it up. No struggle, no messes. Just ZAP, and I’d be ready to be moved to the dungeon that lay below that mini-mall. He exited the room, and the machine began to whirr. I took a deep breath, had a momentary panic about being radiated, and then it was over.

He opened the door, smiled large, and asked me to come have a look with him back in the first room. By now, my fears were subsiding, and I was ready to admit that today would not be the day I’d concocted at all.

After politely telling me that he saw noting, and that there was little else that could be done, he sent me on my way to pay and rejoin Veronika so that she may see me back to my hotel. And so I did.

I asked her if it was possible to walk back to my hotel, as I didn’t believe there was much point in allowing this charade to continue. It was very nice of them to make sure all my teeth were in great shape to charge a much higher price to the suit who’d pay top dollar to destroy a perfectly good pair while wearing a pig’s head in a dark dungeon and all. Very nice indeed. She seemed puzzled by my desire to forgo the cab ride back, but agreed to drop me off half-way so that I could enjoy a perfectly nice stroll on a beyond perfectly nice day here. I’d tell you that I thought this was nice of her, but a more accurate way to end this story would be tell you that I am pretty sure that just about the time I was ten feet from the cab and headed into a menacing looking park, I heard her say, “You’ve von for now Mizter Rozch, enjoy your valk, for it will be you’re very last.”

That I have turned her into some sort of vampire-talker at this point is a sure indication I’ve got no business finishing posts at one in the morning in foreign countries in the hopes of hitting my commuting friends back in the states in time for them to be able to read this post before climbing aboard their respective trains.

Thanks for taking this ride with me friends.

* My nephew assures me that actually illest is, in fact, a word. Thanks Cam.

Which of the Seven Circles of Hell?

“I don’t think I should have to work overtime to convince anyone that I deserve future kudos. But, this is the world I live in. Anyone who doesn’t religiously talk-up their own bullshit, no matter the validity of its purpose, the enjoyment it provides others, or the sincerity of its intent on the betterment of life or mankind, is left sitting amongst the also-rans. Barnum couldn’t have foreseen the utterly egomaniacal nature and ease of future communications when he said, ‘Without promotion something terrible happens: nothing.’ It is no longer enough to be fantastic. You have to be fantastic at letting people know just how fantastic you are, and I hate it.” – Elisa Hardwick, from my forthcoming novel But I Love You.

To quote one of my own characters from a book I’ve not even finished might just be the epitome of the very type of behavior the quote itself references. But alas, I’m a man who enjoys having people read what he writes–and to some extent it matters very little whether they enjoyed having read it, or found what I had written loathsome, dull, or unrealistic. In the latter instances perhaps I get the tiniest bit of satisfaction in knowing that I’ve managed to trick them into wasting some of their day on me. It’s a dark part of my personality that I currently work very hard at squashing with a trained professional on a comfy couch on the Upper East Side. I’ll get there.

To shout about the things I put out into the world goes against everything my sobriety and my leanings towards Buddhist practices would have me do. Indeed, my own preference would be to put content in the form of books, music, musings, ads, and the like out into the world for it to be found naturally, on its own time, and because others made the discovery of it serendipitously and then shouted about it themselves. But, I’m not perfect. I don’t aspire to be perfect, and perhaps I’d be labelled a fool by most to not use what life throws at me in order to give my other pursuits their best possible shot at an existence beyond simply existing. I try not to let what others might think of me dictate my actions, but I do let it inform them.

So, is it wrong to post the commercial I wrote for AXE, here on my blog, because it is garnering so much attention and in theory could lead to a few people finding and purchasing my novel? Maybe. Maybe not. For those of you who share my disgust in regards to self-indulgent, self-congratulatory postings, tweets, and the like (Yes, I do it. A lot of it, but it doesn’t mean I care for it) perhaps you can take some solace in knowing that so far my triumphs in the realm of advertising, present and past, have not meant squat to the readers of fiction. Even fiction that is based in the complex realities of who I used to be.

But, maybe it’s only because they haven’t been exposed to it yet. I am still surprised when people who I consider close friends reveal that they only just found out that I wrote a book. And so, at the risk of having perhaps only myself condemn me for all eternity, I have decided to embed the Susan Glenn commercial here as well–tag the fuck out of it–and maybe earn a few more followers of my regularly scheduled programming. It’s worth a shot, no? It’s also important that any readers of this post know this: I do not consider myself solely responsible for the creation of this branded film. It was only through the rigorous efforts of many people, both agency and client, that a film the likes of this one could ever make it out into the world. And so I thank them all, and last, but most definitely not least, I thank the brain of my good friend and partner, Nate Able, for co-creating the idea from scratch with me. It was our baby, and it’s nice to see it doing so well so early in the world.

Enjoy, and if you feel so inclined, why not take a chance on my book. Good day. I said, Good day.

level 9 paranoia

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