Sing Sing for my Son

A quick-ish lesson in the train of thought that leads one man to decide that, yes, he is capable of serving hard time for his unborn son. The Mrs. and I went to see Transcendence this past weekend. If you haven’t seen it, I’m recommending you wait until it’s on one of modern day’s home viewing options. Save your thirty to forty bucks for the umpteenth remake of Godzilla. Not sure why that trailer has me hooked, but it does. Now then, the Johnny Depp flick has nothing to do with child rearing specifically, but even if you haven’t seen it, you can deduce that it does construct a story that dances around notions of what the future might hold for our civilization.

And so, if you are me, you are watching and thinking in the voice of a ninety year old man, “Hurumph, lots of changes comin’, yes sir, yes sir!”

You continue this conversation with yourself, recalling a brief back and forth with a parenting friend about the impossibilities of knowing exactly what technologies you’ll be disallowing your children to use in the near to not-so-far futures of their lives. And if you’d been reading about haptic suits and a life lived almost exclusively as an avatar online in a book like Ready Player One, you start wondering if your future son will even go outside at all. You start thinking about what you’ll ban, remembering that all pre-parents had similar conversations about video games, cellphones, and the lot, only to ultimately be confronted with newer things you couldn’t have fathomed that come along with the pleas of, “But so-and-so-friend’s parents let he or she have a blankity-blank already, come on, I’m eight or nine or ten or five!”

You move forward, remembering that because you only intend on having the one that it’s important to put him into social situations with other babies, children, and grow-ups. You don’t want him to be a shut-in. Suddenly, all thought deviates to an entirely different possibility, “No way my kid is going to be living in a haptic suit, he’ll be a chip off the ol’ block. Very charming, a real go getter. Devilishly handsome too.” You condemn yourself momentarily for letting your ego turn your child into the inwardly projected image of yourself. Somehow, age fourteen comes into play. You wonder how you’ll convince him to have protected sex if he has sex at all. You didn’t have sex at fourteen, but your mind tends to bolster the prediction with its vague recollection of scattered news mentions of promiscuity occurring at younger and younger ages.

“I hope he’ll be smart enough to not take the risk so young,” you say, but before you can even finish the thought you’ve already scripted a scenario in which this young-man-about-town of yours has dazzled the pants off of some young lady at age fourteen. You change the age to fifteen to feel better about yourself. Next thing you know she’s pregnant. He didn’t listen. You think about how you’d handle that situation, and then with no invitation to the thought party whatsoever, the thought, “What if he feels trapped? Kills her and hides the body?” pops into your head. You know almost certainly that this won’t happen, but even as you watch Johnny Depp “die” (oops, Spoiler Alert) on a table in front of you, you can’t help but shake the possible reality that you’ll be faced with that difficult decision of either turning your pride-and-joy in to the authorities, helping him live a life on the lam, or figuring out a way to take the fall for the atrocity he has committed.

“I’d turn that lil’ shit-head in,” you reassure yourself, even as you begin to accept what your remaining years look like in the slammer. “It’d have been an act committed under intense duress. My son is a good boy. He’s a good boy. It won’t happen again,” you repeat to yourself. “It was my fault. I didn’t do a good enough job of explaining the consequences of the birds and the bees. This is how it has to be.” And so there, under the darkness that accompanies the screening of a so-so film that isn’t holding your attention, you silently proclaim, “It’s all good. I can do the time.”

Ga-Ga-Voo-Doo

It's Alive (B&W)

Will our baby be smart? Will our baby be handsome? Will he be healthy? Will he try to kill me?

Yes, I’ve done thunk it. The baby inside my wife’s belly could kill me. Could kill you. Could try to kill us all. 

If you are my age, give or take a year or two, there’s a good chance that you too spent some parts of your summers between the grades of elementary school and junior high watching a few things that maybe your prepubescent brain wasn’t quite ready to reasonably consume on what used to pass for HBO, Showtime, and The Movie Channel. I’m not talking about the soft-core porn, aka what I used to refer to as “The Happy Music Movies,” though I’m sure plenty of us only accidentally managed to view some of that as well. I’ve referenced some of the films from those salad days of my youth in previous posts. Clockwork Orange, Motel Hell, The Tin Drum, just to name a few. Many of my most disturbing daydreams are certainly the direct result of those three specifically. I’m fascinated by the idea that a handful of prophetic, polarizing, and/or horror films seen at a too-soon-age might have formed long lasting sinister effects on my gray matter.

It’s Alive was released in 1974, but must have been in heavy rotation a decade or so later for me to have seen it. If you were to study up on the film, you might decide that there is some credible subtext to this B horror film regarding the rights of the unborn, some segment of society’s ethical implications revolving around the use of fertility drugs, and possibly even abortion itself. All of that might be a stretch, but I’ve seen a few things suggesting as much on the internet. For me though, it was a simple story about a horrible demon baby that was just cute enough for you to not root against completely as it tore through the city on an unintentionally murderous rampage. “The child is just frightened,” Lenore Davis (the mother) was fond of saying throughout the film—the baby monster would coo just enough in between its blood curdling screams to keep you from rooting for it to be captured and killed. At least I remember wanting it to live despite all of the horrible atrocities it had committed.

I imagine far more people have seen Alien than It’s Alive, and so I’m guessing a far more common and utterly disturbing vision had when observing your baby momma’s belly is the infamous emergence of the true star of that futuristic film. I ping-pong between the two narratives, though thankfully not on a daily basis.

Spoiler Alert: The fanged little nipper from It’s Alive didn’t kill its Pops. In fact, by the end, and despite Frank’s (the father) original intention of killing it, their bond was pretty strong. The majority of this post has been a soft-set-up for the real question that’s been on my mind. Maybe it’s too dark a suggestion to make on a blog that was original born to playfully mock my madness and whet the appetites of what I’d hoped would be a growing readership patiently waiting for new musings in the form of novels—but has it ever occurred to you that once you commit to brining a new life into the world, that it’s possible—I’m not saying probable—but possible that the added being may very well be the one that takes you out of this physical realm? I’ve not bothered to look up the odds, though foggy memories of statistical analysis done against murder does seem to conjure up some claim that a good many of them are perpetrated against the victim by some one they knew.

As macabre as it may be, it seems to this odd duck that along with what I’m guessing are the fairly typical concerns of a would-be parent, that a sort of peaceful acceptance of the possibility of your own demise by its hands is about the only sane way to move forward.